Working in the style of Japanese Boro mending with upcycled patches, I created a large visible mend that becomes the focal point of this thrifted denim shirt, thereby highlighting its age, worn nature, and renewal rather than tossing it aside for a new one. The patches are set and reinforced by a Japanese Sashiko stitch known as Jujuzashi.
I have a deep appreciation for the history and intentionality of this historic artform. For that reason, I no longer teach this material. As a white woman with no personal ties to Japanese culture other than admiration and study, it is not my place to take a position of expertise or ownership of this subject. Unfortunately, we find ourselves in a time when many white instructors within the crafting industry are choosing to do this as the practice of visible mending rises, but without accurately articulated understandings of the rich vocabulary, tradition, and pattern history of Boro mending and Sashiko. So often, terms are confused, appropriated, white-washed, and misrepresented to the detriment of all. I truly appreciate the sentiments of sustainability and handcraft found in modern visible mending, but hope that those leading figures profiting from it will engage in more accurate, vocal, and honest education before continuing along such a path. I have included several resources, articles, and links to authentic expertise for exploring this art form with respect in my Instagram Stories. Just visit me @KHGarts and click on the “Textiles Tell Stories” highlight.